Sunday, September 5, 2010

An Interview with Lesley Anne Cornish - Artist


Q – Could you introduce yourself briefly to the readers?

A .- I am a professional artists and tutor, I live in Swindon and am Chair for The Swindon Artists Forum, whose Gallery is currently in Swindon’s Brunel Plaza. I have run courses at private studios in Berkshire and in Spain, and I now give private tuition for adults one to one or small groups in and around Swindon. Teaching gives me a real buzz and I enjoy proving to absolute beginners that they CAN paint. I work in my studio at home as much as I can.


Winter storm


Q – How did you become interested art?

A - I have had a love of art from an early age, I suppose it is in the genes as my uncle designed stamps for the Canadian Post Office. Being a shy child, I found art a satisfying means of self-expression, and I was blessed with wonderful art teacher at secondary school who encouraged and mentored me. I was asked to paint for, and tutor friends and their children, and spent many productive years painting pet and child portraits. For fifty plus years I have painted, drawn and taught, and have gained so much experience from that. In the past I attended various courses to learn new techniques and styles, and was asked to become a permanent tutor at a Private Studio in Berkshire, and have taught in their associate Studio in Spain. Now, I mostly paint for myself and give private tuition, although I still take commissions.


Q – What inspires you as an artist?

A. I was born in South Devon and have a love of the sea and the countryside, which reflects in the subjects of many of my painting. Inspiration comes from a glimpse of a light change on a hillside, or a child playing on the beach, a contrast of leaf tones in the sun; I just observe nature.


Q – What is your favourite medium?

The current medium of choice is Acrylic, it is so versatile and malleable, it also suits my spontaneous style. However, I still go back to my roots on occasion, and produce smaller traditional work in watercolour and pastels.


Q. Can you tell us more about your work?

In the work I produce I attempt to convey an atmosphere, be it subdued or vibrant, and also to create a harmonious composition using tonal blends and contrasts together with a balanced placing of elements. I love to work large scale, restricted only by the size of my studio.


Q. How would you define your style?

I tend to work in what I call ‘Freestyle’, though there is always an initial plan, the painting flows and almost takes on a life of its own, instinct dictates the composition and choice of colours. If it feels right, it probably is!


Black bamboo B


Q. What are your influences; artists from the past or present who inspire you?

A. Edward Hopper and Turner are great favourites of mine, also Mark Rothko, I love the seeming simplicity of their work which at the same time can evoke so much emotion.


Q. – How do you choose the subjects of your work?

A. Quite often I see an image and the painting develops in my mind’s eye, and I am compelled to produce it, however, the plan is always flexible.


Q - How do you prepare yourself for an exhibition or a show like Open Studios?

A – It depends on the space available and the venue. Most of my work is large, so hanging it in an appropriate location is important, sometimes it is necessary to show smaller pieces when there are constraints. Some galleries express a preference for ‘Foliage’ or ‘Scapes’ so a mental scan of the work in my studio results in an assembly of themed pieces; it remains then only to select the pieces suitable for the available space. Most of my work is unframed, it is for the personal taste of the purchaser to frame or not as it suits.


Q – Are there territories (media, subjects, etc.) you want to explore in the coming years?

A - I would like to develop my abstract art to a more fluid level, I think this genre is a very personal expression and I would like to explore the possibilities it presents and be confident its execution. However, I am open to possibilities and opportunities as they arise. In art you are always learning, about art practice, and about yourself, I find it very liberating and absorbing.


Q, As an artist, what would be your dream?

A - Do I have a dream? Well, a large studio and gallery by the sea, where I can paint and teach, exhibit and sell would be wonderful.


Q Could you share one thing that you have learnt in your own art practice that would be useful to other artists?

A - To all my students I say ‘there are no rules in art, only techniques. Experiment!’ Be true to your own creativity, but be open to inspiration and ideas from any source.


An interview with Michaela Cheese


Q – Could you introduce yourself briefly to the readers?

I am 44 year old artist who has had a varied career including time working in health and financial services. After studying art at school and workshops over the years, most notably, life drawing and life sculpting, together with work in abstraction.


Q - How did you become interested in art?

For as long as I can remember I have been excited by shape, colour and texture. I loved art at school, and have continued this interest throughout my adult life by studying and experimenting with various different art mediums.


Venus in acrylic paint 20x24 box canvas


Q - What inspires you most as an artist?

The requirement to be completely unique, playful and energetic – Art is definitely my therapy! For me, art is a visual expression of emotion.


Q - What is your favourite medium or media? Why?

I work mainly on large box canvasses using acrylic paint and mixed media. I like bold energy to leap out of the picture. To achieve this, I need to work quickly, with fast drying paints.


Q - Could you tell us some more about your work?

Currently, I enjoy working in a semi-abstract fashion, which I begin ‘blindly’ by applying colour and texture, with no idea of the ‘end product’. After several hours, if I’m lucky, an idea with materialise and I am able to create a vague suggestion of something recognisable, which is aesthetically pleasing. I have also recently worked on some commissions for modern office developments. These have required the use of a restrained colour palette, and a ‘themed’ approach to painting on a large scale. For a recent commission, I completed a collection of simple bold images of local landmarks for a development in Camden, London, including paintings of the ‘Camden Roundhouse’ and ‘Camden Lock’.


Q - How would you define your style?

Original, modern, and contemporary.


Q - What are your influences; artists from the past or present who inspire you?

I love certain works by : Aubrey Beardsley, Edgar Degas, Eric Ravilious, Pablo Picasso, Jacob Epstein, Henri Matisse, Georges Braque and Salvador Dali, to name but a few!


Q - How do you choose the subjects of your works?

Great modern photography, with good tonal contrast and strong images of interesting subject matter are probably of greatest influence to me, although I try to work intuitively not intellectually.


Mars in acrylic paint 20"x24" box canvas


Q- How do you prepare yourself for an exhibition or a show like the Open Studios?

With great gusto! I am very excited to be entering Swindon Open Studios for the first time and just can’t wait!


Q - Are there territories (media, subjects, etc.) you want to explore in the coming years?

I particularly want to learn traditional ‘print’ techniques.


Q - As an artist, what would be your dream?

‘My dream’ is forever evolving; however, I would love to get involved in a large community art project of some kind in the future.


Q - Could you share one thing that you have learnt in your own art practice that would be useful to other artists?

Accept yourself! There will always be finer and worse artists than you, but there are none that can be you, so keep making time for creativity, have fun, and don’t worry if you do not create a masterpiece on each occasion!

Saturday, September 4, 2010

An interview with Julie George

Q – Could you introduce yourself briefly to the readers?

Hi, my name is Julie George and I am a ceramic artist – I share a studio with another ceramicist on a lovely Cotswold farm and spend as much time there as I can – unfortunately I have another job as well!

Q - How did you become interested in art?

I always enjoyed it at school and have had various creative interests over the years (glass painting, silversmithing, jewellery making). I did an Access to Art course in 2002 at Swindon College followed by an HND in ceramics which really focussed my interest on ceramics.



Q - What inspires you most as an artist?

Nature – particularly the sea and coastline. I grew up in Guernsey in the Channel Islands and am still influenced by the forms, textures and colours of the seaside. I am also very interested in architecture and find that inspires some of my work.

Q - What is your favourite medium or media? Why?

Ceramics – I find clay really interesting because it is so challenging and versatile. Glazing fascinates me because it is unpredictable and every piece is a one-off.

Q - Could you tell us some more about your work?

I work in two main ways – slip-casting with porcelain slip using moulds I have made myself and hand-building using a textured crank clay which fires to a warm sandy/toasty colour. I like to layer texture, slip, oxides and glazes to create different decorative effects

Q - How would you define your style?

I want to create pieces that give people pleasure to use and to look at. I tend to use fairly simple forms and add interest and complexity with decoration

Q - What are your influences; artists from the past or present who inspire you?

Jenny Beavan, Matthew Chambers, Jo Connell, Amanda Hoskin and Kurt Jackson.




Q - How do you choose the subjects of your works?

I get ideas all over the place – on holiday, walking in the countryside, at the supermarket! I always have a sketchbook with me so I can do a quick drawing and write a few notes when I see something I want to use. I enjoy talking to other artists about their work as I find that helps clarify and develops my ideas as well.

Q- How do you prepare yourself for an exhibition or a show like the Open Studios?

Trying to get enough stock made in time can be a challenge! With clay it can take a long time for pieces to dry out enough to be fired especially if the weather is cold or damp. As I can only be at the studio part time I have to make sure I focus on what I want to make rather than doing too much experimenting when I have an event to prepare for.

Q - Are there territories (media, subjects, etc.) you want to explore in the coming years?

I want to learn more about glazing and get together a new range of work with a more architectural influence.




Q - As an artist, what would be your dream?

To be able to make enough money with my art to do it full-time and give up ‘the day job’.

Q - Could you share one thing that you have learnt in your own art practice that would be useful to other artists?

That even when you have a slow day at an exhibition/craft fair, etc and don’t make many sales you can still have made useful contacts which could be profitable at a future date.


Friday, September 3, 2010

An interview with Jo Ikeda


Q – Could you introduce yourself briefly to the readers?

My name is Jo Ikeda of Imari Design. I’m fairly new to the art scene, only starting to create bags and accessories from Japanese kimono last summer. I’m a young mum with a passion for fabric, fashion, history and I’m a bit of a bookworm too. I collect kimono and other Japanese paraphernalia.



Q - How did you become interested in art?

Last year my mother-in-law sent me an off-cut from an exquisite vintage gold wedding kimono (uchikake) from Japan for my collection. I had no idea what to do with it, but knew it was asking to be made into something, ‘up-cycled’ if you like. My neighbour, and good friend, suggested a bag. After many hours of fiddling around and re-visiting a sewing machine for the first time since GCSE, my first handbag was created. There has been no going back ever since!

Q - What inspires you most as an artist?

Unusual colour combinations, traditional Japanese dress, geometric patterns, oriental symbolism, kabuki and 1970’s psychedelic fashion.

Q - What is your favourite medium or media? Why?

Without a doubt Japanese Kimono Obi Brocade. I hand-pick these sashes myself from Japan-the brighter the colours, the better. The embroidery is so luxurious and the material such good quality-perfect for bag making. There is also the added feature that somebody in the past has worn and loved the kimono, which adds authenticity. The materials I use are unique pieces of social history. You rarely find two obis exactly the same, which means my creations are one-of-a-kind.

Q - Could you tell us some more about your work?

My designs are built round the beautiful fabrics and are real conversation starters. There is a lot of symbolism behind most Japanese kimono designs and almost all of the patterns have hiddenmeanings. (For example a background of hexagons represents Tortoiseshell, which traditionally symbolises longevity) Where possible I try to include this as a feature of my designs because I feel that this background information into Japanese culture adds another dimension to the pieces. I love re-working vintage textiles into something that functions in a different way in a modern setting.

I also make smaller pieces like corsage brooches, phone pouches and wallets.

Q - How would you define your style?

Unique and bright. No two of my obi bags are exactly the same. I like to cut the fabric around the design to include certain features, which means that I don’t normally stick to patterns. I have made some great bags from patterns, but they can also be restricting.

Q - What are your influences; artists from the past or present who inspire you?

Anna Niponica, a lady who re-works kimono into exquistite western style dresses.

Biba



Q- How do you prepare yourself for an exhibition or a show like the Open Studios?

I wish I had time to make more handbags to display. I juggle looking after a family and sewing whenever I can. But I do aim to have a couple of new designs made in time for Open Studios.

Q - As an artist, what would be your dream?

My short term goal is to invest in a new sewing machine, as my current one is very old!

My long-term dream would be to be able to travel to Japan on fabric buying trips every year and to run cosy bag making/corsage making workshops for small groups from a home studio.

Q - Could you share one thing that you have learnt in your own art practice that would be useful to other artists?

Never rush to finish a piece of work. If things aren’t going the way I planned, the best thing I find is to sleep on it and wake up with a fresh perspective in the morning.

Thursday, September 2, 2010

Link Magazine article on Swindon Open Studios 2010



Link Magazine has published an article on Swindon Open Studios with some details of the events that will take place at Artsite. Read "Artists showcase their work from 11 to 19 September".